|Comics by Country and Culture|
A gag cartoon (a.k.a. panel cartoon or gag panel) is most often a single-panel cartoon, usually including a caption beneath the drawing. A pantomime cartoon carries no caption. In some cases, dialogue may appear in speech balloons, following the common convention of comic strips.
As the name implies—"gag" being a show business term for a comedic idea—these cartoons are most often intended to provoke laughter. Popular magazines that have featured gag cartoons include Punch, The New Yorker and Playboy. Some publications, such as Humorama, have used cartoons as the main focus of the magazine, rather than articles and fiction.
Captions are usually concise, to fit on a single line. Gag cartoons of the 1930s and earlier occasionally had lengthy captions, sometimes featuring dialogue between two characters depicted in the drawing; over time, cartoon captions became shorter.
In the mid-1950s, gag cartoonists found a new market with the introduction of highly popular studio cards in college bookstores. Single-panel cartoons have been published on various products, such as coffee mugs and cocktail napkins.
Traditionally, newspapers and magazines printed cartoons in black and white, but this changed in the 1950s when Playboy began to feature full-page, full-color cartoons in every issue.
There are numerous collections of cartoons in both paperback and hardcover, notably The New Yorker collections. From 1942 to 1971, the cartoonist-novelist Lawrence Lariar edited the annual Best Cartoons of the Year collections.
Notable gag cartoons
A well-known 1928 cartoon in The New Yorker, drawn by Carl Rose and captioned by E. B. White, shows a mother trying to convince her young daughter to finish her meal. "It's broccoli, dear." "I say it's spinach and I say the hell with it", which have created an idiom in English language.
Notable gag cartoonists
There are some well-established setups used regularly in gag cartoons.
- Desert island jokes: marooned on a desert island. In earlier cartoons the island was quite large, with a shipwreck shown, to deliver the setup of the narrative. Eventually the setup has shrunk to an iconic image of a sand heap with a palm in the middle.
- Talking animals/Talking animals in fiction
- Lawrence Lariar
- "A Guy, a Palm Tree, and a Desert Island: The Cartoon Genre That Just Won’t Die", Vanity Fair (retrieved January 8, 2018)